Residency brief

Nila is a cultural centre of excellence dedicated to preserving and celebrating India’s rich and diverse craft traditions, with a focus on handmade textiles and natural dyes. Ingrained in the cultural heritage of artisanal communities, these crafts are defined by sustainable practices that have been used and passed down through generations. Nila’s mission is to support and strengthen these valuable systems through research, artisan outreach, farm-to-fabric collaborations, environmentally-conscious design practices, market facilitation, and the preservation of traditional knowledge.

Through its wide-ranging projects, Nila serves as a source of shared knowledge - inspiring individuals, communities, and industries to achieve new levels of accountability through regenerative practices and social responsibility.

Nila’s initiatives span across all India, with Nila House – its vibrant hub, standing in the heart of Jaipur. It is a space dedicated to sharing knowledge and the celebration of craft. Through artisan-led workshops, talks, immersive exhibitions, inspiration through artists in residencies, an open library and a working studio, Nila House encourages craft-preservation and sustainable practices, engaging an ever-growing community of visitors.

In partnership with Villa Swagatam, Nila House welcomes artists in residence within its premises of a unique heritage value. Through the Nila framework, the resident is exposed to the various crafts and communities that Nila actively works with. The artist can explore natural local mediums as forms of expression and actively engage in craft community projects. This is an invaluable opportunity for applicants hoping to enrich their practice through craft processes. They provide exposure to endangered knowledge systems and their custodians which is an exceptional opportunity for growth and exposure to community groups as well as to the craftspeople themselves.

  • Thematic focus Arts & Crafts (textile, indigo dyeing practices)
  • Location Nila House, Jaipur (Rajasthan)
  • Dates September 2025 - November 2025
  • Length of stay 3 months (open to extension)

Our Space

Built in the 1940’s, this elegant stone haveli had fallen into disrepair when restoration began in 2016. The meticulous revival was overseen by Bijoy Jain; an architect renowned for his award-winning work, employing slow crafts, sustainable choices and for using time-honoured techniques.

The stone walls were carefully restored using layers of natural araish lime, an age-old heritage craft. Each material selected was local, natural, and hand-finished, from the jute chairs to the hand-bevelled stone flooring. The result is a subtly crafted tribute to Jaipur’s aesthetic heritage, imbued with a contemporary spirit

Johanna de Clisson

Designer and ceramist

My artistic research project will focus on blending cultures and know-how. Earth meets textiles, ceramics and weaving become one.
India, with the richness of its textiles, the diversity of its weaving and embroidery techniques, the brilliance of its jewelry and the symbolic power of its traditional costumes, is a major source of inspiration for me.
As a ceramist and designer, trained in a European context where minimalism, sober lines and the predominance of white occupy a central place in my work, I wish to initiate a dialogue between these two aesthetic universes.
The ambition is to develop a ‘mini collection’ of hybrid tunics, accessories & art pieces fusing the ornamental elegance of Indian with a more streamlined, sculptural approach.
It will explore the contrasts between the suppleness of textiles and the rigidity of ceramics, sculpting fabric as one models clay. The work will be symbolic of dualities : color and monochrome, ornamentation and minimalism, tradition and contemporary reinterpretation.

Johanna de Clisson is an artistic director, designer, and ceramist. A graduate of ENSAD, she founded Studio Hiromi in 2021—a research space for free-spirited, tactile design. In her white-walled atelier in Paris, she sculpts chamotte clay and cracked enamel into objects that balance brutality and sensuality. Lamps, tables, and light sculptures emerge from a vocabulary of austere, voluptuous forms. Architecture grounds her vision—Niemeyer, Ando, and Nishizawa are guiding spirits—while German objective photography informs her serial, precise approach. Dressed in a white blouse, she works in silence, letting constraint and clarity shape her meditative practice.

Past Laureates

Second Edition (2024 - 2025)
Marisol Santana Artist and Designer
First Edition (2023 - 2024)
Martha-Maria Le Bars